PUBLIC MARKS from sbrothier with tag "responsive design"

With focal points (the small grey circles that appear over images you're editing), you can exert some control over the area of focus in your images.

Each template is a single HTML email built using Ink. You can preview them and inspect the code to see how they were implemented, or download them and try making some changes. Each template already has Ink included in a style tag at the top of the file.

TechCrunch is a news site that focuses on information technology companies. We partnered with a few of our friends to help TechCrunch create a new responsive site.

Fully responsive. Scales with its container. Separate settings per breakpoint Uses CSS3 when available. Fully functional when not. Swipe enabled. Or disabled, if you prefer. Desktop mouse dragging Infinite looping. Fully accessible with arrow key navigation Add, remove, filter & unfilter slides Autoplay, dots, arrows, callbacks, etc...

Responsive/Adaptive images have been an ongoing concern of mine (and yours, I am sure). As fascinating as this issue is, I haven’t always had the time to keep up with the latest, or recall all of the previous attempts at taming this beast, so I have created this mega-list (an aspirational title at this point) to try to collect all things concerning images and how we serve them.

As web designers, it is our role to consider (and plan for) maximum reach and access, even when final results might seem underwhelming or less immersive. I used to think of device-agnostic responsive design as something that would simply make my life as a site builder easier.

Device Pixel Ratio

Today’s Chrome Beta channel release introduces a new HTML attribute for responsive images and the unprefixed version of the JavaScript Web Audio API. Unless otherwise noted, changes apply to desktop versions of Chrome and Chrome for Android.

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USA Today introduced a new version of its website Saturday, one day after it debuted a new design in print. My overall impression: The new site does not feel like a newspaper website, it feels like a news website. It also feels a bit like an iPad app, with a horizontal experience and visual emphasis. A click feels like a finger swipe. Gannett/USA Today Director of Product Design Bill Thornton said in a tweet, “We think the key is to make the experience more app-like and have fewer hard page refreshes.” Still, the site feels like USA Today because it’s anchored by images and color. Here are five reasons the reinvention works for me.

UX (User Experience) is all those elements and factors related to the user’s interaction with a particular environment or device which generate a positive or negative perception of the product, brand or device. UX is subjective and focused on use. The standard definition of UX is “a person’s perceptions and responses that result from the use or anticipated use of a product, system or service”. These factors are related to design and usability, but also to the emotions and feelings generated in the user, accessibility, brand trust…

During the last years, our design studio has been involved in many different projects – from designing mainly websites and desktop software in our early days, to smartphone apps, prototypes for TV interfaces and more recently, applications for tablet devices. Working for all those devices was interesting and challenging. Not just because of the diverse screen sizes and input methods, but because we learned in our user research how different the contexts are in which these gadgets are used.

This morning I read a ridiculous article on VentureBeat entitled ‘what’s next for mobile now that adaptive design has failed?’, written by Peter Yared, who is CTO of CBS Interactive. Read the post and you’ll see that the entire thing is based on the misassumption that mobile users don’t scroll. If that were true, the reasoning might be valid, but it’s not. It’s utter nonsense.

Peter Yared, CTO of CBS Interactive, stirred up a bit of controversy recently when he wrote that adaptive design techniques make it difficult for publishers to monetize content.

To create applications and systems that are easy to use, it is crucial to understand the user and the context in which the app will be used. Understanding the context helps design systems that anticipate use cases at a relevant time of use. The more unobtrusive and transparent the experience is at the time of use, the better the design. This means the user does not have to think about the device he is using, changes in the environment, or changes in context, and can rely on great functionality and ease of use independent of his situation.

Any application of typography can be divided into two arenas: micro and macro. Understanding the difference between the two is especially useful when crafting a reading experience, because it allows the designer to know when to focus on legibility and when to focus on readability.

Media queries are awesome, a godsend for website developers that want to make small tweaks to their stylesheets to give a better experience for users on devices of various sizes. Media queries essentially let you customize the CSS of your site depending on screen size. Before you dive into this article, learn more about responsive design and check out some fine examples of media queries usage here: mediaqueri.es

Through fluid grids and media query adjustments, responsive design enables Web page layouts to adapt to a variety of screen sizes. As more designers embrace this technique, we're not only seeing a lot of innovation but the emergence of clear patterns as well. I cataloged what seem to be the most popular of these patterns for adaptable multi-device layouts.

Top and left navigations are typical on large screens, but lack of screen real estate on small screens makes for an interesting challenge. As responsive design becomes more popular, it’s worth looking at the various ways of handling navigation for small screen sizes. Mobile web navigation must strike a balance between quick access to a site’s information and unobtrusiveness.