PUBLIC MARKS from sbrothier with tags motiondesign & typography

Now in Webflow you can create beautiful interactions for your responsive website without writing a line of code. Learn More or Start Designing.

This is a screencast of a Processing sketch I developed called TypeStar. It’s basically a karaoke machine that renders lyrics in realtime according to a number of preset visualization schemes. It was originally created for a project in my Type in Motion class which required students to create a kinetic type animation for the Busy Bee scene from the movie Best in Show. I decided that rather than create yet another kinetic type piece, I would write a kinetic type engine.

The New York Times: Cinema version commercial

The next level of this experimental typographic orgy. Animation by Sebastian Lange Music by Forss

A compendium and leading web resource of film and television title design from around the world. We honor the artists who design excellent title sequences. We discuss and display their work with a desire to foster more of it, via stills and video links, interviews, creator notes, and user comments. Featuring opening title design for film and television from Croatia, New Zealand, Serbia, Russia, the United States, Brazil, England, France, India, Japan, Italy, Chile, Mexico, Yugoslavia and Egypt.

In Paris we met with one half of the design duo that makes up Studio Deubal. Deubal is a French creative agency consisting of Stéphanie Lelong and Olivier Marquézy. We fell in love with their original character-based title sequence designs. When we visit Olivier in his studio, he's on his last legs. He's been pulling an all-nighter.

So-Me, Machine Molle, Yorgo, Ed Banger...

Fabrice luccini dans un élan de virtuosité littéraire, pendant une emission de radio, parlant de michel Houellebecq, retranscrite en typographie cinétique

Nice agency ! Created Kada from Lineto, The Joost "face" tv spot and more... The Konstfack Characters are wonderful ;)

un nouvel exemple de typographie cinétique

Today, the term animation is used broadly and encompasses a vast array of styles and technologies that are used to create the illusion of motion. Here, we focus on some really good examples of the use of animated characters in film title design. Not only do these title sequences list the main credits, they have animated characters that introduce us to the story of the film. None of these films are animated. As the collection of animated title sequences grows, more animation-related sub-themes will help to shed more light on the use of animation in main title design.

© Andrew Sloat Music: “improv1” from Ptolemy's Guitar by Roland Satterwhite

Pris en une seule séquence, le film a été tourné en live le 30 juin dernier, lors de l’ouverture du festival Nederclips du Stedelijk Museum’s-Hertogenbosch et tourné à l’aide d’une équipe de professionnels du trampoline.

Toujours aussi beau

nice typographical eye-candy

During his 40-year career Saul Bass worked for some of Hollywood's greatest filmmakers, including most notably Alfred Hitchcock, Otto Preminger, Stanley Kubrick and Martin Scorsese. Via Neatorama and Blogdecine

un clip tt en typo "à la main"

Kapitaal (7:04) typo-animation by the order of the Beyerd Museum. Kapitaal is an impression of the enormous amount of stimuli that we are harassed by every day. The amount is so big that its commercial effectiveness has become utterly dubious. Directors / animation : Ton Meijdam, Thom Snels, Béla Zsigmond